Clearly pulling off a whole masterpiece {as we know I totally can} every day is a little unrealistic. I haven’t actually even managed to make art {even a little} every day since last week when I had the ‘start with art first thing’ brainwave.
I do however have very good excuses reasons for that, but even so I can feel the tug. And yes sometimes I feel the tug and then go and do something completely different.
Anyway, this happened the other day; I don’t know what it is about Frida Kahlo, she is so amenable to being drawn. I think it’s to do with her striking look, her exotic mystique and her incredible strength through suffering; she is quite fascinating, and the Salma Hayek film about her is one of my all time favourites.
I haven’t really done her justice here; as ever, going for an accurate reproduction evades me. I don’t mind about that except when it’s obvious who it is and somehow isn’t quite right!
But I do love this technique. Sometimes you don’t want to get the paints out, and as a lifelong fan of charcoal, this charcoal/pastel method is really fun to do, and kind of magical to see it emerging.
I got annoyed with the flowers so they are a bit of a mess, and obviously it could use some adjustment, but the point was I got up and made some art. When I do get up to the studio {and not filming lessons} I’m currently working on a ginormous seagull painting, which I’ll share when it’s finished.
So don’t expect to see that any time soon.
I havent seen that Freda movie in years! With all the talk about her lately I think it’s time to see it again. Another great piece Tara!!
Loving these…Are you drawing the pastels on top of the charcoal? Do the pastels not lift the charcoal…they don’t seem to be lifting. I want to try..are you using soft pastels?
I love Frida too. ..very drawable
Yes the pastels go over the charcoal but after it’s been rubbed back a bit. You’ll learn how to do it yourself when you take the class!