Artur Akopjan‘s work gives me pleasure and inspiration in the same way that the paintings of Jennifer Mercede, Dominique Fortin and Sabrina Ward Harrison do.
The backgrounds are as interesting as the foregrounds, and each painting works as a whole without being either too busy or too quiet. There is also a naive quality which I love.
I particularly enjoy the saturated colours, the drawn and written elements and the patchiness.
I didn’t find too much detail about Akopjan, but the paintings speak for themselves anyway. I found this though:
Creation is equal to complete freedom; everything is acceptable when it comes to art. Artur Akopjan has no special expectations from the viewers.
‘Everything is acceptable when it comes to art’ ~ I like this.
Here is the artist with one of his paintings:






















Her paintings are described as ‘water media and graphite on paper’.
As ever, I love the drawn elements. I love that whole spontaneous, impromptu feel.

Whatever they mean it doesn’t really matter, when you can just look at them and enjoy how they make you feel.



So my ingredients are oil pastels (my new best friends), acrylics and some wall paint. Oh and gesso.
The painting is entirely intuitive and intentionally abstract, although if you feel like reading leaves ~ or anything else ~ into it that’s fine! I’m very interested in the idea of layers beneath the white which give it depth but don’t show as part of the painting. Like ghosts of an old painting perhaps, there but not there.
My good friend gesso helps me do this. There is a lot of white space in this painting; I think I just needed some quiet, although straight after I did the loudest, most vibrant painting ever so who knows what my subconscious is up to. At this point I got a bit carried away with the orange; I do so love orange right now, but then after I did it I changed my mind about the quantity…








