eclectic art making

The thing about working at night is that your progress shots are all dark and shitty. But then they make the final image look better, so swings and roundabouts I guess.

Flowers in Her Hair sketch

profile sketch on paper

I’m finding Instagram to be a constant source of inspiration lately. I am not a fan of direct copying, mainly because it’s not cool but also because anything I try to copy exactly will inevitably disappoint me. I’d rather put my own spin on things.

Flowers in Her Hair

Adding watercolour

Besides, I want my work to be mine. But I will pick up a style, technique, colour scheme or shape, that catches my eye, and gradually the things that have struck me will weave together to become a piece on their own.

Flowers in Her Hair

Going in with black pen

Like this one. I started with a profile sketch, really simple, after seeing one randomly on Instagram.  I didn’t copy it, I just felt like doing a profile after seeing it. Then I wanted to add some Alisa Burke style flowers, as I did here. The inspiration for that came from here. Yes I am on a bit of an Alisa trip currently. :)

Flowers in Her Hair

Beginning to define the flowers, and darkening the blue background

The whole thing evolved over a few nights while watching movies on the sofa. I didn’t have any plans really, just picked up things I liked and put them together.

Flowers in Her Hair by Tara Leaver

Flowers in Her Hair
Pencil, watercolour and pen on A3 Bristol board

I like how she’s turned out; I like the contrast of the simplicity of the face next to the hectic vibrant flowers. I’m not too confident with shading but ‘fortunately’ I’m happy with the facial minimalism.

I kind of want to give her a name. Any thoughts? I’m thinking something graceful, self contained and aloof, like Agnes {the French way}, or Magdalena.

what the….

I am out of control people! Ha. Which basically means I’ve suddenly started getting busy in the stude again. This pen and ink class has got me all fired up creatively; so happy!  First, some playing with ink, feather, watercolours and some super thick watercolour paper I bought for the class, as instructed.

It bleeds too much and the paper goes bobbly with water {wtf?! It’s watercolour paper!} so I prefer the thick paper I was using before, but still interesting to investigate how all the different elements work together and respond to each other.

I didn’t have anything in mind except to see what happened.

The painting is currently in a state of having been partially cut up. I have no idea what’s going to happen next.

And then this happened; I did the background ages ago and it’s been moping about in the stude, and today I just picked it up and finished it. It’s in my Etsy shop now.

There’s a definite bird theme of late, and I really only want to make marks with a feather since Tuesday. Perhaps I was a bible illustrating monk or a scribe with a quill in a former life. I did experience a past life regression a few years ago ~ I was a seafaring herbalist, but that’s another story.

Oh and ps. I’m on Instagram. I have no idea how to use it but I’m under ‘TaraLeaver’ should you wish to do some mutual following.

stones and stars revisited

First, many moons ago, there was this:

Then there was this, which I posted here:

And then over the last couple of days I’ve been doing this:

Nighttime photography, what can you do? {Don’t answer that!}

And here it is finished:

How much do I really love being able to put a ‘frame’ around an image? QUITE A LOT. Thank you PicMonkey.

Really loving also doing these A4 paintings on paper. I’d ideally like to build up a little collection and sell them. You’d totally buy one, right? I make good price for you.

trees are poems

Are you ready for some blurry photo action? I had one of my sudden and unexpected ‘artbursts’ {see what I did there?} last night, the kind where I just unexpectedly sit down and paint, and time simultaneously stops and speeds up, so when you surface you realise it’s waaaaaay past your bedtime.

I visited a couple of Open Houses this weekend {it’s May which means the Brighton Festival and Open House season, where people open their homes to the public and display the work of all kinds of local artists}, and was particularly inspired by some paintings of trees, so I sat down and did a tree painting on paper.

I started with some collage and a sketch.

Then some Titan Buff.

Then colours.

Initially I used charcoal for the tree outline, but it rubbed off {obvs}, so I painted over it with sumi ink and a very tiny brush. There will definitely be more of this ~ muy satisfying.

I used stamps and doileys to make the patterns, and painted layers which I then rubbed back so it looks all textured and old. Lovely.

I found the Kahlil Gibran quote online; I wanted to use something by Hafiz {I seem to love every single thing he ever said} but this was the one that popped out at me.

It was a real pleasure to make this one, and I’m very happy with the result. It’s in my Etsy shop now.

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PS. Thank you so much to everyone who chipped in with title ideas for the untitled painting; it really helped kick start me with possibilities. I decided on ‘Holding Space’ in the end, partly because it just occurred to me, and also because of the spaces in it, like the white area and the turquoise part under the ‘arm’.

drama queen

This lady appeared on Thursday. She is heading in the direction of the faces in my head I talked about yesterday. In the interests of full disclosure I am including the image that inspired her; as you will see it’s pretty similar. I’ve loved the Maria Pace Wynters painting below for ages  ~ colours, composition, style, elements ~ and wanted to understand with my own hand how to capture that kind of loose but powerful image. I didn’t set out to copy it as such, but in the end I did use her painting to inform how and where I put colour down, mainly for the face.

So here is Maria Pace Wynters’ visual feast, titled ‘The Spanish Poppy’:

And here is a step by step of my version, which I’ve called ‘Drama Queen’ as it just popped into my head and seemed fitting:

I taped some of my lovely new A3 360gsm paper to my desk and started with a rough sketch.

I used the principle I saw on the Agnes-Cecile video of working from light to dark; it makes total sense and puts certain paintings I’ve done in the past into a new perspective {ie. ohhhhhh, so THAT’S why it didn’t work!}! I realise this is probably one of those fundamentals of painting that just passed me by…

I had totally forgotten how liberating painting on paper is; psychologically I can be freer because it’s not as ‘important’ as a canvas. And while I’m trying out new things it allows me to do so without feeling they must all be perfect. That, people, is progress. Not to mention that when you take the pressure off, lo! The paintings seem to come out better!

I did have to go back in and completely redo her eyes; she was so cross eyed! I think it’s better now but the painting doesn’t seem to photograph as well as it looks in actual real life.

Anyway, here she is:

I may add some further details but I’m happy with her as she is for now. Very happy actually. Yay.

i am awesome, i am legend, i rock

This, I learned the other day, is a little phrase my friend’s son made up and likes to repeat to himself at various intervals throughout the day, and he is by all accounts a very happy and well balanced child. I am not particular about where I find my inspiration, and am happy to adopt the mantra of a ten year old, especially one as wise is this one. Out of the mouths of babes indeed.

{In actual fact it’s ‘I’m awesome, I’m legend, I rock’, but one of this otherwise fabulous font’s downfalls is there is apparently no option for apostrophes, hence the awkwardly full length version in the title.}

ANYway, in the vein of giving myself a double thumbs up, after yesterday’s triumph with ‘Tumble’ {and thank you all so so much for your kind words about it, they are much appreciated and I’m so glad it’s giving people pleasure} I had a tiny brainwave.

I so enjoyed the process of making Tumble that I sat down last night and did another one, on paper. It’s a very therapeutic way to create; I make no plans and put colour where it wants to go. That’s it.

And because I needed a birthday card for the aforementioned friend {whose birthday is this Friday ~ 11/11/11 ~ how cool is that?}, I cut up the painting into small pieces and made a whole bunch of cards, each one a tiny piece of an original painting.

They are so pretty! Each one looks like a miniature abstract landscape. And now I have a bunch of cards ready for impending birthdays, and celebrations of all kinds.

I am much pleased by my own genius.

stones and stars

Stones and Stars

Developing an idea from my sketchbook

wave

I’m not gonna lie; it’s been a shitty week. I only started to come up for air yesterday, but there has been some painting, some not ready to show and tell, but here’s a very blurry camera photo of a painting on paper I did super fast. I think it wants more work, if the paper can take it, and I realised yesterday it looks like a wave curling over so I might play with that.

I’ve got ideas coming at me faster than I can get them down so hopefully there will be lots more to share with you soon.

xx

 

PS. Hello and welcome new followers! :) So happy to see you here. x

sunflower

May your day be filled with sunshine (metaphorical if necessary), sunflowers and dancing.

energise!

Two more paintings for Total Alignment – lesson 3 ~ ENERGISE!

Painted to music, but then, that’s pretty usual for me.

I sometimes wonder what the people who live across the street make of the paint splattered girl busting moves in front of a canvas most nights.