sketching faces from reference images

A couple more sketchbook portraits, drawn from reference images. With liberal use of my new friend the blending stick.

portrait from a reference

pencil portrait from a reference

And this quick pencil and pastel sketch without a reference. I got annoyed afterwards because all my non-referenced portraits look the same. I’m slowly working my way through Misty Mawn’s Face to Face class and hoping the practice and assignments will allow me to expand my methods for putting a face together.

may sketch

And this is my niece Amber with new puppy Frank. I wanted to make a really beautiful portrait and surprise my sister with it, but this first attempt, although I’m happy with it as a portrait, doesn’t actually look like her daughter. I’m thinking of trying it in a few different mediums; capturing the essence of someone’s spirit is hard! It’s all in the eyes I’m finding. Get them slightly off and you’ve drawn someone else.

Amber and Frank

I’m also working on a painting today that I’m really looking forward to sharing with you. Yay!

inspired by . . . rebecca mcfarland

Today, in what may or may not become a new feature, depending on my whim and what I find that inspires me to try a technique or idea, I am sharing some drawings I did after being inspired by another artist. In this case, Rebecca McFarland.

After seeing Rebecca’s one line drawings, I thought, YEAH, I could definitely do more little things like this to keep my creativity ticking over. Since I don’t feel like engaging in an obstacle course every time I want to paint in my studio, {still full of boxes while I wait to move}, I have been setting up art camp on the coffee table some evenings.

Sometimes I just doodle or colour in, but sometimes I want something at least a bit more challenging and focused to get my teeth into. These one line drawings are perfect for when you don’t really know what to do but want to make marks and use colours.

Well my efforts do not seem to be the elegant and enigmatic portraits that Rebecca has produced. Mine all look either like they had a worrying accident or like a child with access to only very bright colours did them. Actually I hate them {although the dog’s quite cute}. The faces seem crude and sinister to me.

BUT, I enjoyed the process of doing them, and I can definitely use the one line drawing technique in future paintings.

 {crappy lighting alert. better get used to this for the next however many months.

especially since my most artistic time is night time.}

face painting

I have a secret wish to paint faces. Good ones I mean. In my head I know exactly how they would come out, but outside my head they tend not to…

This video has me mesmerised, not just by the end result but by how the painting comes together apparently effortlessly, layer upon layer, light to dark. I love the combination of loose and drippy and tight and perfect. I tried something similar myself after watching it; suffice to say no human being will ever lay eyes on that one!

You can see more of Agnes-Cecile’s beautiful faces here.

beginnings of ideas

It’s all I can muster just now, from my favourite corner of the sofa.